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Homewood

Magazine

They tended to be sportsmen who flew in company planes to remote lakes in Canada, where they fished the last unspoiled waters of the continent. I went along on one such trip with a chairman named McHenry, a sweet and decent man in fact who owned a number of software companies that had contracts with the government, And his grandsons were at the lake, a pair of white-browed boys in down vests, primed for blood sport. And I stood and looked at the old lakeside house with its cedar shakes and tall chimneys and all the shabby and splintery porch furniture of a backwoods retreat. I looked at the house and missed it on some curious level. It might have been some object of my own past, some augury in reverse, stately rustic and high-ceilinged and mothballed in the unused rooms, with thick scratchy blankets on the guest beds, bearing college emblems - the promise of things I’d never had but somehow seemed to know, collectively, at the edge of memory. And the way the boys handled their shotguns, born to it, you see-they were kids and I was a man but I think I took a measure of instruction from them, Johno and Todd, not that I joined them in their game stalking. Mostly I sat on the porch and worked on speeches for McHenry but I gleaned from the boys what it must be like to grow into this kind of world, how commensurate to one’s expectation of what is due-the world that money makes and erect bearing and clear speech and college emblems on the beds and a sense of birthright and usable history. At dinner we talked about things, about their schools and sports, and I took pleasure in all this effortless youth, rude youth in the best sense, robust and vigorous and unfinished. I took secondary pleasure, felt myself walking in their angled strides, felt what it was like to cast a line in the sun with nothing obtaining in the world but the rub of the boat’s burred wood and the early heat on my arms, and even when I felt something drawn up out of me, some cornered shape, I was able to pull it down in the table talk and lose it in the throbbing fires that burned inside the great fieldstone hearth.

Don DeLillo, Underworld (1997)

heavytweedjacket:

HTJ Archives: The Ivy by Teruyoshi Hayashida (Tokyo: Ipec, 1983). The photographer of Take Ivy (1965) documented campuses in the early 1980s.

heavytweedjacket:

HTJ Archives: The Ivy by Teruyoshi Hayashida (Tokyo: Ipec, 1983). The photographer of Take Ivy (1965) documented campuses in the early 1980s.

(via theivyleaguelook)

pixzieh:

blejz:

Jeremy Irons and Anthony Andrews in Brideshead Revisited
1981

best thing i have ever seen <3333

pixzieh:

blejz:

Jeremy Irons and Anthony Andrews in Brideshead Revisited

1981

best thing i have ever seen <3333

(via racquet-club)

nhorway:

Phoenix // Girlfriend

heavytweedjacket:

Brooks Brothers, 1939 Racing Schedule. These ”Little Books” are still amazing.

heavytweedjacket:

Brooks Brothers, 1939 Racing Schedule. These ”Little Books” are still amazing.

(via quadreria)

(Source: thisivyhouse, via quadreria)

cvilletochucktown:

Swan House, Atlanta, GA, finished 1928 
Philip Trammell Schutze, Architect 

cvilletochucktown:

Swan House, Atlanta, GA, finished 1928 

Philip Trammell Schutze, Architect 

(via quadreria)

(Source: abeille-home, via chatham-ivy)

voxsart:

The Checks Of 1976.
Prince Charles.

voxsart:

The Checks Of 1976.

Prince Charles.

(via thesixthduke)

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